Annessa Braymer | Graphic Design


	annessa m. braymer graphic design

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	BUILT BY BECKET Architect Welton Becket is responsible for many signature structures that contribute to the Los Angeles landscape; yet, many Angelenos have never heard of him. This concept was developed to promote a possible exhibition of Becket’s work at The Geffen Contemporary. Utilizing twenty-three of the buildings "Built by Becket" to publicize the show and draw attention to the multitude of his structures by flying large red balloons above them.

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	A COGNIZANT EMBRACE: THE HUGGING WALL The Hugging Wall was conceived as a way to encourage a dialog about authenticity in our engagement with people on a day to day basis.



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	ART CENTER AUDIT In June 2008, students began to question the priorities of the administration at Art Center College of Design. Many arguments were raised in student forums and internet blogs. Confused and frustrated myself, I chose to conduct research from a neutral resource, “The Peterson’s Guide to Four Year Colleges,” and draw my own conclusions. This following series of five posters are the result of my investigation.

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	TALBOT-LAGO A script logomark created for and inspired by the teardrop shaped Talbot-Lago automobile.

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	WRAP: SERIOUS PLAY A collaborative publication for distribution at the Art Center conference “Serious Play.” Partnered with illustrator Shannon Freshwater our contributions considered the parallels of alchemy and the creative process.



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	A VENTURE TO DEFINE THE ORIGINS OF PUNK An information design project, created by embracing the learning process. Knowing very little about Punk music, I began reading and watching documentaries on the movement. Focussing on relationships and influences I moved and rearranged bands as I learned more. Erasure, white-out marks and misspellings were all left in.

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	FASHION & TEXTILE MUSEUM The nature of fashion is that it is constantly changing. Therefore, a logo for the Fashion and Textile Museum in London shouldn’t feel characteristic of a specific time or place. Similar to fashion, typography has a fundamental internal structure, but its silhouette can take on many variation. The concept for FTM’s logo was to overlay silhouettes of letter forms representing a breadth of typographic styles; one style is not dominate, they all work together to build a single unique statement.


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	SELF-PORTRAIT IN TYPE The project began by asking several of my friends and acquaintances to write down words they would use to describe me. I then constructed seven large-scale black and white posters from scanning the words and arranging them based on my reaction. The project then expanded into a photographic exploration of process and composition.

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	FROOT LOOPS When considering a redesign for cereal packaging, I focused on a form that would minimizing waste. The tetrahedron shape allows for large graphic surfaces, minimal adhesive, and a playful shape.

	FRENCH NEW WAVE FILM SERIES This poster was created to advertise a French New Wave film series sponsored by the Art Center Film Club. To maximize printing expenses, the poster can also be cut down and function as a French-fold brochure.


	SIMPLE GREEN Simple Green began as an environmentally friendly janitorial cleaning supply company. Now, they have a line of products for the home consumer. This is a concept to update the aesthetic of the home product line, as well as, utilize more sustainable packaging materials.

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Self Portrait Sketch

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